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Special Microphone for Toms

  • Professional dynamic microphone
  • Hypercardioid
  • 44 Hz – 18 kHz
  • 250 ohms
  • Max. SPL: 144 dB
  • Aso suitable for congas etc.
  • Available since December 2001
  • Item number 151456
  • Sales Unit 1 piece(s)
  • Incl. Clip On Mount Yes
  • Condenser Microphone No
1.985 kr
All prices incl. VAT
In stock
1

Straight out of the box

The Audix D2 is a dynamic microphone with a hypercardioid pickup pattern, developed primarily with rack toms in mind. Like the rest of the D series, it's built in the Audix facility in Oregon. Its strongly tailored frequency response delivers an effective drum sound with minimal corrective EQ work, while the VLM diaphragm keeps transient response natural and well defined. The result is a mic that works immediately in both live and studio settings – compact, robust aluminium housing, high resistance to elevated sound pressure levels and feedback, and a tight hypercardioid pattern with over 30dB of off-axis rejection that keeps bleed from neighbouring kit components under control.

Audix D2 dynamic microphone

Mighty mic

The Audix D2 might be compact, yet it delivers a full, weighty sound across a frequency range spanning 68Hz to 18kHz. Its response curve features a boost around 150Hz – where much of the body sits for rack toms and snare drums – combined with a dip between 500Hz and 1kHz and a subtle upper-mid presence lift. The result is a sound that feels transparent and modern, free of mid-range muddiness, and with a low-end punch and clarity that suits contemporary drum production styles. Its dimensions make it straightforward to position on a tom or snare; wherever it's placed, the D2 handles sound pressure levels of up to 144dB without distortion, even during aggressive sessions.

Audix D2, drum mic in its clip

Clear and uncomplicated

In many scenarios, the Audix D2 delivers exactly the kind of modern rack tom sound expected in Pop, Rock, and Metal without EQ or adjustment – plenty of low end, slightly reduced mids, and an assertive attack with a clear, transparent character. Its consistent performance saves precious post-processing time in both live and studio contexts, a welcome feature for engineers running tight changeovers or multiple sessions concurrently. Sound techs and producers looking for a dynamic mic with a distinct sound signature that works predictably across different kits and rooms will find in the D2 a natural fit. Its voicing also pairs well with other percussion instruments, guitar and bass amps, as well as woodwind and brass, where its high SPL resistance works particularly well.

Audix D2, dynamic microphone with mic clip and bag

About Audix

Audix is a US microphone manufacturer which was founded in 1984. The small company has its headquarters in Wilsonville, Oregon and offers a wide selection of microphones – both for the recording studio and for live use. The range of products extends from instrument microphones, such as those from the well-known D series, to vocal microphones with complete wireless systems. The company’s remit goes beyond the music industry, however, since it also provides lavalier microphones, console microphones, and other devices for permanent installation. Audix also produces headphones and various microphone accessories, such as stands and XLR cables.

Suprisingly versatile

According to sound-engineering lore, while the D2 particularly shines on rack toms, it performs equally well on snare drums and congas. Its pronounced low-end punch is particularly suited to the full-bodied snare drum sound common to many modern Rock and Metal productions. On distorted guitar amps, the D2's bass and treble boost produces a scooped character that pairs particularly well with a mid-forward microphone such as the SM57 – together, the combination produces a dense, well-balanced frequency spread that neither mic achieves alone. The D2 also handles bass amps and brass instruments such as saxophone convincingly. The D2 is backed by Audix's five-year warranty.

138 Customer ratings

4.8 / 5

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sound

quality

63 Reviews

RS
My first choice for toms
Radney Stanchev 16.04.2020
The D2 is great for instruments where transients are a distinctive character of the instrument (such as percussion). I prefer the D2 for micing toms than SM57s. I even tried it with great results for micing bass and guitar cabs.
In my opinion, the mic reveals the closest sound to what you are hearing in the room. I rarely feel the need for EQ. At the same time, there is a bit of a dip between around 510hz and 1.2k that really helps with clarity and carving out some of the mud. Also, I like its size weight and form factor, making it easy to use with a clamp or stand.
This gives the opportunity for very versatile placement in tight spaces or under low hanging cymbals. The bleed from cymbals is very little. The last thing is the price, which is great value for the money, and I would not be too concerned for the drummer hitting it, compared to Sennheiser MD421.
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L
Great
Lazarus19 06.03.2020
Perfect "Dark Mic" for Guitar recordings!!!
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m
Clarity and punch..simply the best tom microphone
mikeydude 31.12.2019
Everything you could need..tough...lightweight...turing grade microphone....these are the microphone the pros use on tour
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Dm
Drum mick
Drum mick 23.12.2022
I drum mickrophone that could compete with the best there is and with a great price.
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