Rode Wireless GO (Gen 3) B-Stock

B-Stock with Full Warranty
Return that may have slight traces of use.

Digital 2-channel wireless microphone system

Suitable for cameras, smartphones, iPhone and computers
Two transmitter modules (TX) with integrated condenser microphone (omnidirectional capsule) and one receiver module (RX) with headset connection for third microphone signal
2.4 GHz band free of charge and registration
Max. sound pressure level: 123.5 dB SPL (internal microphone)
Frequency range: 50 - 20.000 Hz (internal microphone)
Transmitter range: 260m (free line of sight)
3.5 mm TRS socket on the transmitter for external lavalier microphone
Intelligent GainAssist automatic level control
Socket with external thread for locking the Lavalier II
32-bit float recording in the transmitter module - over 40 hours of memory
Receiver module with USB-C connection and 3.5 mm TRRS socket
With LC display to show connection, level, charge status and mode
Can be used as a headphone output, output to a camera or headset connection
Power supply via internal lithium-ion battery
Battery capacity: max. 7 hours
Dimensions (per module): 46.5 x 44 x 20 mm
Weight: (transmitter): 35 g
Weight (receiver): 36 g
Includes triple USB charging hub, 3.5 mm TRS connection cable SC2, USB-C to Lightning cable SC21, USB-C to USB-C cable SC22 and 3 x fur windscreen and neoprene carrying case

30-Day Money-Back Guarantee

3-Year Thomann Warranty

Available since December 2024
Item number 608116
Sales Unit 1 piece(s)

Also available as brand new product 2.259 kr

2.058 kr

All prices incl. VAT

Sales Rank

in Wireless Microphones with Lapell Microphones

3rd-gen freedom for filmmakers

Rode presents the third generation of its Wireless GO system, a compact and intuitive dual-channel wireless microphone solution for filmmakers, presenters, musicians, and content creators at large. The Wireless GO (Gen 3) consists of a receiver with a 3.5mm headset output and two transmitters, each equipped with a built-in omnidirectional microphone and 3.5mm input for external lavaliers. Available in 12 vibrant colors – including black, white, pink, blue, and more – the system allows users to match their gear to their style or environment. The system allows simultaneous 2.4GHz transmission and 32-bit float internal recording, offering increased headroom and near-elimination of distortion. Up to 40 hours of audio can be stored internally in three selectable modes, and GainAssist technology automatically adjusts input levels in real time, ensuring clean recordings in any environment – whether indoors or outdoors.

Two transmitters and one receiver of the Rode Wireless GO (Gen 3) digital 2-channel wireless microphone system

Transmission and recording

Each transmitter features a built-in omnidirectional condenser microphone, capturing sound evenly from all directions. This ensures every voice is recorded clearly, no matter where it comes from – making the system ideal for quick setups, interviews, or dynamic environments. For more tailored audio capture, users can connect an optional lavalier microphone or a headset mic via the 3.5mm input on each transmitter. A dedicated record button next to the microphone provides instant start/stop control, while a phase inversion switch on the underside resolves any alignment issues. The receiver supports three recording modes: Merged Mode combines both signals into a single track, Split Mode records each signal separately for individual editing (separate tracks), and finally Safety Channel creates a backup track at -10 dB, ensuring distortion-free audio even if unexpected volume spikes occur.

Rear clip mounts of the Rode Wireless GO (Gen 3)

Flexible and reliable

Designed for video professionals, journalists, and mobile filmmakers, the Rode Wireless GO (Gen 3) prioritizes ease of use without sacrificing performance and provides an intuitive solution for capturing audio in spontaneous settings – whether on the way to a concert, during band rehearsals, or in the studio. Since no technical expertise is required, it is perfect for fast-paced environments where reliability is key. The system is compatible with Android, iOS devices, computers, and cameras, and its 260m line-of-sight range ensures stable transmission even over long distances. For added security, the Safety Channel records a second track at -10 dB, providing a backup track for unexpected volume spikes.

About Rode

Founded in Sydney, Australia in 1990, Rode is a specialist in high-quality studio microphones. With its very first in-house, completely Australian-built model, the NT2 large-diaphragm microphone, the company created a classic which is still produced in its current and enhanced version, the NT2-A. An extensive range of studio and live microphones has also been added, regularly updated, and expanded over the years. These new additions include a variety of professional microphones which are designed for video and mobile applications and can be connected directly to SLR cameras or smartphones.

Highly adaptable and versatile

The receiver unit of Rode Wireless GO (Gen 3) outputs audio in either digital or analogue format – via the USB-C port or the 3.5mm output jack – and simply connects with cameras, smartphones, or other recording devices. Users of other Rode Series IV wireless solutions can pair the transmitters with devices like the Rodecaster Pro II or the Rodecaster Video. Thanks to their innovative clip design, the transmitters can be securely mounted on belts, pockets, collars, or cold shoe adapters such as the Rode DCS-1. All components are powered by built-in lithium-ion batteries, providing up to seven hours of operation on a full charge.

Top-down view of the Rode Wireless GO (Gen 3) microphones

In the spotlight

Omnidirectional polar pattern

Omnidirectional microphones capture sound equally from all directions (360°), creating a natural, open sound that's ideal for dialogue, interviews, or multi-speaker settings. This non-directional design ensures consistent audio quality regardless where the talent's standing, making it perfect for spontaneous recordings where mic placement can't be controlled. However, in noisy or acoustically untreated environments, omnidirectional mics can also pick up unwanted background noise. For situations requiring focused audio capture, directional patterns – such as cardioid or supercardioid – are often preferred, as they isolate the sound source while minimizing ambient interference.

Information on the supported frequency ranges

Here you can see which frequencies are supported by this wireless system and the countries in which these frequencies are allowed in the future for wireless applications.

All information is without guarantee

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