Behringer Odyssey

Analog Synthesizer

  • 37 Full-size keys
  • Monophonic/Duo-phonic synthesizer
  • Controls: octave +/-, pitch bend, modulation
  • 2 VCOs with sawtooth and square/pulse
  • VCO sync
  • VCO pulse-width modulation
  • Noise generator
  • Ring modulator
  • Low-pass filter with resonance
  • 3 Selectable filter circuits
  • Adjustable high-pass filter
  • Switchable overdrive
  • 1x AR- and 1x ADSR envelope
  • VCO 1 can be used as LFO
  • Digital effects section
  • 32-Step sequencer
  • Arpeggiator

Connectors:

  • CV input: 3.5 mm
  • Gate input: 3.5 mm
  • Trigger input: 3.5 mm
  • CV output: 3.5 mm
  • Gate output: 3.5 mm
  • Trigger output: 3.5 mm
  • Stereo headphone output with volume control: 6.3 mm jack
  • External audio input: 6.3 mm jack
  • Audio output: XLR und 6.3 mm jack
  • Footswitch- and pedal input
  • USB port
  • MIDI input/output
  • External 9V DC power supply
  • Dimension (H x W x D): 133 x 589 x 409 mm
  • Weight: 8.1 kg

Further Information

Number Of Keys 37
Touch-Sensitive No
Aftertouch No
Split Zones No
Modulation Wheel No
Number of simultaneous Voices 1
Sound Engine Analogue
MIDI interface 1x In, 1x Out
Storage Medium None
USB-port Yes
Effects Yes
Arpeggiator Yes
Number of Analog Outputs 1
Digital Output No
Display Yes

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47 Customer Ratings:
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4.9 / 5.0
  • handling
  • features
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  • quality
33 written ratings Read all reviews
Total
handling
features
sound
quality
Great Sound Machine, with issues
Vox Lover, 09.11.2019
Very good clone of the Arp with the addition of some very good effects, a very versatile sequencer, and an arpeggiater, none of which were available on the original from the 70's. The keyboard is not very good...Behringer states it is a semi-weighted keyboard, but it really isn't. It's a simple plastic, spring keyboard with very little resistance. As it is/was a performance instrument, that's an issue. I hate the keyboard and told Behringer they need to stop advertising that it's semi-weighted. The oscillators are good, perhaps typical Arp, but the filters seem shallow. A problem exists with the HPF, also noted by other reviewers, with a relatively large notch that's missing in the upper register. You'll hear a definite gap . And mine is very scratchy - and a judicious use of contact spray did not resolve the problem...There's a lot of noise from the fader in the upper regions, which, once again, limits performance applications. But, as a sound module, it is capable of creating some wicked sounds, and in many ways much more versatile than the Mini Moog that it challenged back in the day. It had/has sample and hold, and a ring modulator, neither of which the Model D had, which gives it more sound creating advantages. The Arps have a unique sound, totally different from the Moogs, and if that is what you're looking for, then this might be the thing. I have to say, for the money, it's a pretty amazing instrument. They have changed a lot very quickly. I got one with the multi-colorered LEDs, that mirror the colored fader tips of the original. I have heard that the older, late summer 2019 units, with only white LEDs are still shipping. But again, despite some of my negative observations, it's a pretty interesting piece of kit for sound design and experimentation. It will keep you busy for hours if not days and weeks...
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Total
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It's like a beast!
Digichild71, 29.10.2019
The synth it's very close to the 70' original Arp for look and sound too Itry it trhoug my Allen & Heat 16 fx mixer what can i only say it's a beast the bass sound it's aggressive fat and big the for lead is obvius great the addictional Beribnger feature are great too!Great Deal!
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NOK 3,612.61
Plus NOK 200 shipping

Since we ship from Germany additional costs through taxes and customs may occur

Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
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