I bought this a while back. One of the things that it surprised me with is that if I run it through a mono-channel amp-ing my mouth harp, the mild interference it creates makes sure the mouth harp is a little less dominant. This way it allows for other instruments in the mix to more easily claim their space, while the mouth harp does stay true to its sound.
Recording it in stereo offers an even wider range of options. I now use it in conjunction with the Digitech CabDryVR, which gives me the option of quickly and easily dubbing tracks on two different speaker-cabinets. It won’t be like Guns’n’Roses with two guitars sharing some riffs here and there, but also sticking to their own. It will be just two to four guitars, bass guitars, mouth harps, etc. tru-dubbing, playing the exact same thing with minor variance in terms of attack and pitch.
What I found a bit counter-intuitive is that they labeled the knob that allows you to set the looseness “tightness” instead. As you turn it up, it becomes more loose, but if you read the manual or if you watched the product demo, that won’t catch you off guard.
You do really have to consider how loose or tight you want it to be. With some settings, when it’s extremely loose, I sometimes feel the dubbed track gets sent to the back a bit more. You really have to listen for yourself how you’re going to take it.
The dry track just is as you play it. The one to three dubbed tracks variations to that, in stereo also having their very own spatial distribution, respectively left-right, left-middle-right, and left-left-right-right.
Awesome pedal.
