K
Very good
Most stereo bars (Manfrotto or the smaller K&Ms) do just fine for most classical recording setups, but sometimes you need to go larger (orchestral, organ) and you don't want the hassle of using more microphone stands. I have several of these, and they have served me very well so far. K&M quality, so very well made.
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SG
Highly professional stereo bar
Well, there's not too much to say about this articole: it works flawlessly and I did many recordings with that and two omni mikes. It's sturdy and won't be broken after the first few gigs.
Would definitely recommend it.
Would definitely recommend it.
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D
Very useful!
Not the easiest bar to deal with but 100% a useful tool
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I
Great tool
Ideal for multimic setups. Very useful for stereo miking instruments like piano, or A-B overheads on drums. Also I am planning to combine it with a second bar for a DECCA setup. If needed, it can take up to six mic's on one stand if needed. Finally, if positioned vertically, it is great to hold a pair of ribbons for blumlein setup.
It is very well built, sturdy and easy to setup.
It is very well built, sturdy and easy to setup.
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AJ
very useful
used as a decca tree setup. good and solid.
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S
Stereo Bar
This is a great bar. Strong , long and has 6 different flexible mic points.
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T
Great value wide stereo bar
Perfect for stereo mic techniques needing wider spacings, such as 27cms omnis
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