A
Hidden arpeggiator
Most of us will think of a sample and hold in terms of random generated sounds from bleeps to gurgling streams but it can also be used to generate melodies and arpeggios.
I connect an lfo set to square wave as a trigger for sampling.
I use another lfo set to sine wave as sample input, play around with the frequency. The output is fed to either the cv in of a vco or the fm in of a vco if you have one. Play around with these as they give different effects. The key is to experiment with the lfo sample rate which takes you from arpeggio like patterns to random patterns. That's just with one of the sample and hold sections and we have two to play with and the only limit there is your imagination. Thanks Doepfer!
I connect an lfo set to square wave as a trigger for sampling.
I use another lfo set to sine wave as sample input, play around with the frequency. The output is fed to either the cv in of a vco or the fm in of a vco if you have one. Play around with these as they give different effects. The key is to experiment with the lfo sample rate which takes you from arpeggio like patterns to random patterns. That's just with one of the sample and hold sections and we have two to play with and the only limit there is your imagination. Thanks Doepfer!
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RQ
Not Sexy but still desirable.
While it's not the most glamourous of modules it represents and area where Doepfer excels, the basic building blocks. The module is straight forward, something rare in the Eurorack world, and yet still has all the features you need to get great sounds. The secret ability to bitcrush with this module makes it a keeper!
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