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waveshaper, distortion modules

Joranalogue Audio Design Warp 1

5.0 out of 5 stars from 1 customer ratings
Joranalogue Audio Design
Joranalogue Audio Design Warp 1
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Joranalogue Audio Design Warp 1
Joranalogue Audio Design Warp 1
Joranalogue Audio Design Warp 1
Joranalogue Audio Design Warp 1
Joranalogue Audio Design Warp 1
Joranalogue Audio Design Warp 1
Joranalogue Audio Design Warp 1

Eurorack Module

  • Power Curve waveshaper
  • Analogue waveshaper
  • Exponent control for adjusting the intensity, two switchable modes (Direct / Hyper) and absolute value function for full wave rectifier use
  • Additional settings for symmetry (DC offset) and scale
  • Clipper stage with separately adjustable threshold for positive and negative half-wave and status LED
  • CV inputs for exponent, scale, clipper and direct/hyper mode
  • Two signal inputs
  • Positive and inverted signal output
  • Gate output (polarity)
  • Power requirement: 65 mA (+12 V) / 60 mA (-12 V)
  • Width: 8 HP
  • Depth: 30 mm
30-Day Money-Back Guarantee
3-Year Thomann Warranty
  • Available since February 2026
  • Item number 630135
  • Sales Unit 1 piece(s)
  • Width 8 TE / HP
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1 Customer ratings

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5 / 5
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1 Review

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Direkt, klar, flexibel.
st_bn 07.03.2026
Warp 1 kommt mit den bekannten Qualitäten der Module von Joranalogue: Analog, klar aufgebaut und daher bei genauerem Hinsehen sehr flexibel und komplex einsetzbar. Die Qualität sowohl in der Verarbeitung als auch im Sound ist dabei, wie immer, sehr gut. Insbesondere unter Zuhilfenahme eines Oszilloskops ist das Grundprinzip der Funktionen relativ leicht nachzuvollziehen und ist vergleichbar mit denen eines Wavefolders oder dem Doepfer A-136 Distortion: Prinzipiell können Kurvenformen ähnlich einer exponentiellen oder logarithmischen Formel verformt werden. Dabei lassen sich die Symmetrie dieser Verformung sowie die obere und untere Clipping-Schwelle separat anpassen. All diese Verformungen sind per CV steuerbar. Im Audiobereich führt dies von leichten Distortion-Effekten oder Wavefolding-ähnlichen Obertönen bis zu krassen Verfremdungen des ursprünglichen Tons. Genauso können aber auch LFOs und Hüllkurven verfremdet und zu komplexen Shapes verformt werden.
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