S
Don’t use in the dark
Very good cable with reliable connectors (Neutrik Rean). But what you also need when using a multicore cable is to easily identify the individual channels.
The cable ends are marked with numbers, but way too small and the color coding is not distinct enough. On a dark stage, I couldn’t see the difference between red, orange and brown (they all look brown in low light) and between green, blue and violet (they just look black).
The cable ends are marked with numbers, but way too small and the color coding is not distinct enough. On a dark stage, I couldn’t see the difference between red, orange and brown (they all look brown in low light) and between green, blue and violet (they just look black).
1
0
Report
L
Decent multicable for the price
I'm a sound artist and a field recordist. I use a lot of different kinds of cables, to connect mics to my recorder or active speakers to my soundcard, to go from my interface to amps or mixers, and on occasion I've even used them as adaptors for bespoke microphone inputs.
Cordial is a good brand, and the neutrik rean connectors work flawlessly. Since there is hardly any difference in sound quality between expensive and cheap cables, the distinction is really in the built quality, and here cordial is usually a brand to be trusted. While I would not trust a cordial or rean in the outback, they are perfect for studio use or occasional gigs. I use these in the studio, but also when working on location (concerts, installations), and they perform adequately. I've not had a problem with one of them so far. And the gold plated connectors protect them against oxidation.
One minor drawback: the numbers on the cable are very finely printed, and so you do need to take your time to read the right number, and have a headlight handy. The color coding doesn't work for everyone (colourblind people, or colored lighting on stage). I have put labels on my cable with numbers
At this price point, this cable is hard to beat.
Cordial is a good brand, and the neutrik rean connectors work flawlessly. Since there is hardly any difference in sound quality between expensive and cheap cables, the distinction is really in the built quality, and here cordial is usually a brand to be trusted. While I would not trust a cordial or rean in the outback, they are perfect for studio use or occasional gigs. I use these in the studio, but also when working on location (concerts, installations), and they perform adequately. I've not had a problem with one of them so far. And the gold plated connectors protect them against oxidation.
One minor drawback: the numbers on the cable are very finely printed, and so you do need to take your time to read the right number, and have a headlight handy. The color coding doesn't work for everyone (colourblind people, or colored lighting on stage). I have put labels on my cable with numbers
At this price point, this cable is hard to beat.
0
0
Report
J
Strong and Durable
very strong and well made cable. You may want to put some tape around and label it up a bit clearer, as numbers don't stand out that well, especially when you're pressed for time, but I money well spent
0
0
Report
CB
Well done to cordial.
This is the best multicore cable I've seen so far. High quality connections, colour coded jacks and very well made.
0
0
Report