Orange Brent Hinds Terror

Amp Head for Electric Guitar

  • Brent Hinds (Mastodon) Signature Model
  • Power: 15 W RMS - switchable to 15/7/1 / 0.5 W
  • 2 Channels
  • Tube assembly: 3 x ECC83, 1 x ECC81, 2 x EL84
  • Natural Volume, Gain, Bass, Mid, Treble, Dirty Volume controls
  • Mono FX loop
  • Speaker outputs: 1 x 16 ohms, 2 x 8 ohms
  • Weight: 6.4 kg
  • Incl. Gigbag

Further information

Power 15 W
Power Amplifier Tubes EL84
Channels 2
Reverb Yes
Footswitch No

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Our most popular Tube Guitar Heads
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5 / 5.0
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3 written ratings Read all reviews
Total
handling
features
sound
quality

Perfect little big amp!

rpost234, 07.02.2018
This amp is fantastic!!! Less dark than any other Orange, but it has the purest Orange sound. Really great tones and also 2 channels! The must have for Mastodon fans, but actually a must have for every Orange lover. I love the whole Terror look. This amp will last for live.
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Total
handling
features
sound
quality

Class lunchbox amp

droesch, 29.03.2018
I bought the Orange Amp as main amplifier for my band. Meaning, for the rehearsal room, for the stage and most likely for the studio. The biggest reason for buying is the simplicity and compactness. Why do I need a 100W 4-channel monster that I play a maximum of 40% volume and half the trunk is full?

The small orange with 2 channels and a maximum of 15 W offers everything I need for my band activities. Sufficient volume for our rehearsal room including loud drummer is also loosely present.

The sound control unfortunately only affects the Dirty-Chanel, but does everything it should and delivers a fat, but at the same time brilliant sound.

The tube compression to a minimum of 0.5 W also works great and is therefore suitable even as a practice camp in the rental apartment. Here, however, I feel the sound as something mushy.

Conclusion:
+ Fat sound (subjective)
+ Weight and size
+ Simplicity
+ 2 channels (Clean + Dirty)

- No sound control for Clean-Chanel
- Somewhat mushy at 0.5 W (subjective)
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NOK 5,659 €587.39
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Though there are other options, the stack remains a rock icon, and is still the most flexible form of guitar amp­li­fic­a­tion.
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